Art Objects of Venice

Here are news from the art fronts. Today we'll visit an exhibition of achievements of folk arts, or a biennale as locals would say.

The main facade at 11:00 a.m.

And at 15:00 p.m.

A mysterious installation with sheets of paper, a Swedish ladder and a girl who was constantly taking pictures of herself on their background.

She took photos.

Then immediately checked what she had photographed and admired herself.

Maybe the author tried to convey the idea of narcissim.

The next installation is called "two heads". But not these ones.

Heads-androids regularly talked to each other, and were somehow connected with hair. The author's message is very difficult to define.

Grids on the ceiling and stuffed pigeons are located in the next hall.

These two benches in the hall center are also art objects, so nobody is allowed to sit on them.

People learning the art.

Sometimes with a little sarcasm in eyes.

This guy didn't close his mouth during the whole exposition.

A pretty room with plasticine bars, where all comers might express themselves as they wanted.

The hall with Venice pictures.

Unfortunately the hall with paintings of Tintoretto was forbidden to be photographed.

An interesting art object...

and just a good place for taking pictures.

Non-figurative painting can be transformed into figurative.

Add some color.

Or light.

What an imagination!

Spectators stuperfied by the art.

This is not an art object or an onlooker. It is just an article from a local stall.

Pay attention on a symbolic t-shirt, it says that the modern art is a singularity where taste and money swap places.

A little rest.

Then back to the exhibition. 

A crushed car stood in the red light and an opera diva song about this accident in the next room. ( A child is not a part of the installation).

The exhibition hall of Israel.

The American hall had more understandable objects. This is a tank transfromed into a running track.

Gloria in a sunroom.

An organ...

with cash dispensers instead of a fingerboard.

Venezuela.

The Russian hall.

In the hall of Japan walls gradually joined in the floor, a cartoon video was shown, and mirrors incredibly stretched this video.

The Korean part had very intelligible message about a joint life of the south and north.

Germany.

Canada.

Great Britain.

The French pavillion with an installation of Christian Boltanski.

It was called "chance". There was a constantly moving tape with children's faces.

The Czech hall looked a little old-fashioned.

Brazil treated to smelly salted fish heads.

Romania.

The Greek pavilion was clean and nice, but someone spoiled it with graffiti.

Serbia.